Bizimina hybridizes documentary cinema with video dance. Through a series of independent pieces, a story is composed in which the emotions that are so dicult to express these days are found: the distance, nostalgia for the other, the desire, the sense of comunity, the impotence, the isolation, the confusion, the hope. The choreography builds a story that serves to comfort and accompany in this uncertain time.

Mixing tango with contemporay technics the film plays with the idea of role changing and power dynamics of a couple . Filmed on location in the salt flats of Argentina while a menacing storm approaches in the horizon, the natural background serves to impose a pre apocalyptic tone that permeates the action, either taking the dancers into a violent movement sequence or used as a contrast for the calm and stillness the couple adopts as a way of defying the threat, or accept their destiny.

The wedding dress embodies a critical moment in a woman’s life. We can identify this chronological and social milestone thanks to that outfit. Marriage might be perceived as a positive achievement in someone’s life.
Does every woman have to go through that life stage?
Can we free ourselves from the social markers that may influence our education and our environment without fearing to be ostracised by others, or having any regret caused by our own judgement?
Are we able to grasp our own desires?

After Love is a short dance film based on Dani Gill’s first anthology of poems exploring the end of a long term relationship. Directed by Laura Sheeran and featuring music by Adrian Hart and performances by Muiris Crowley, After Love grapples with what it means to move on in the wake of lost love.

The video project "2020" is an attempt to understand and feel what is happening in 2020 through the art forms of dance and video. The film is the result of a collaboration between prima ballerina Diana Vishneva, choreographer Pavel Glukhov and director Katya Telegina.

Picknick is a dance music video showing four dancers in traditional costumes around the situation of a picnic. Set to a song by late rapper XXXtentacion and starting with a close up of one dancer breathing, the camera moves around the scene. While two dancers eat and drink, the two others move through a minimalist choreography of loss and despair. Shifting the focus, the video shows the dancers trapped in an apocalyptical non-time and asks questions about society and our ways of interacting.

The Kitchen is a dance short film which explores the traditional roles assigned to women in a patriarchal society which finds expression in the complexity of the relationship she shares with the place where she prepares food for her family. The theme is explored through the narration of events by 4 women cooking a meal in a traditional South Indian '80s style kitchen. The story is inspired by the life and memory of the Director's mother.

4 is an experimental short film featuring music & dance that brings the audience to a research space to identify the source of balance and proportions in the combined art forms. Two pianists and two dancers travel together in a retro-futuristic quest for knowledge through pulse and rhythm, creating a progressive and hypnotic piece, and placing the piano as a common operating table for their interaction. The music features extended piano techniques in an intense, minimalist score.

Charged depicts an over-caffeinated character in her kitchen on the brink of disaster. The film is a portrait of a driven, detailed Everywoman who manages an array of tasks, alternating between the discipline of accomplishing and the daydream of departure. Humor, grit, exhaustion, frustration, and liberation emerge as themes as the soloist pursues unexpected actions and surprising decisions within an expected and unsurprising setting.

Beautiful mountain landscapes, from which the figures of dancers grow, the severity of nature and its strength, intertwines with each other, thus emphasizing the strong bonds between nature and man.

The project was inspired by sculptures by Stanisław Szukalski. In the works of this artist, who causes strong emotions, the motif of the human body appears; one can see muscle tension, movement, gesture and expression. The sculpture is made of earth, of nature, of which man is a part.